|
 |
| 1906 |
The St. Cecilia Chorus founded as "The Tuesday
Morning Singing Club" |
| 1906 - 36 |
Victor Harris, conductor |
| 1936 - 37 |
Leon Barzin, conductor |
| 1937 - 42 |
Willard Sektberg, conductor |
| 1942 - 5? |
Hugh Ross, conductor |
| 195? - 65 |
David L. Buttolph, conductor |
| 1964 |
Transformation to a mixed chorus begins |
| 1965 - |
David Randolph, conductor |
| 1969 |
First performance at Carnegie Hall |
| 1988 |
First appearance as the South Street Seaport's Singing
Christmas Tree |
|
The St. Cecilia Chorus was founded in 1906 as a women's chorus
by Metropolitan Opera coach Victor Harris. Since then, the Chorus
has evolved into one of the finest non-professional performing arts organizations
in New York City, and has left its mark on American musical history.
The Chorus also regularly performs with professional soloists and full orchestras.
In 1922, while still a women's group, the Chorus gained significant
recognition when it appeared with The Philharmonic Society of New
York under Willem Mengelberg, in the first New York performance
of Mahler's Third Symphony. (View the full-size
program). Since then, the Chorus has given world
and U.S. premieres of more than sixty works, by composers including
Mrs. H.H.A. Beach, Deems Taylor, and Virgil Thompson.
1959 saw a momentous event when David Randolph substituted for
then-Director David Buttolph at one October rehearsal. In 1965,
when Mr. Buttolph resigned, the Chorus recalled how much they had
enjoyed making music with Mr. Randolph, and invited him to become
their conductor. He has occupied the St. Cecilia podium ever since,
and has established an uncompromising standard of musical excellence
and a commitment to progressive development.
Under David Randolph's direction, the Chorus grew in size and
ability, and in 1969, met the challenge of its first concert in
Carnegie Hall. In addition to its now traditional twice-yearly
Carnegie Hall concerts, some of which were broadcast live on WNYC
Radio, the Chorus has appeared in other venues, including Lincoln
Center's Avery Fisher Hall. It has performed with such other noted
conductors as Lukas Foss, John Alldis, John Nelson, Romano Gandolfi
(La Scala), Peter Tiboris, and Eve Queler (Opera Orchestra of New
York).
A smash hit of the 1980 Broadway season was Amadeus, which
was later made into a critically-acclaimed movie. In April 1981,
prompted by the popularity of the play, The St. Cecilia Chorus
performed a program in Carnegie Hall which featured the U.S. premiere
of Antonio Salieri's Mass No. 1, juxtaposed with Mozart's "Great" Mass
in C minor. The program was broadcast on WNYC. Amadeus author
Peter Shaffer was in attendance and made a short speech from the
stage of Carnegie Hall.
In December 1986, also in Carnegie Hall, the Chorus presented
the North American premiere of a significant work by a talented
but neglected female composer: "Oratorium nach Bildern der
Bibel" by Fanny Mendelssohn, Felix Mendelssohn's sister.
During his 37 years with The Masterwork Chorus, Mr. Randolph developed
a specialty as a conductor of Handel's "Messiah" with
The Masterwork Chorus, and his much-acclaimed interpretation of
that beloved masterpiece became a seasonal tradition in New York
City. In 1995, Mr. Randolph directed The St. Cecilia Chorus in "Messiah" for
its very first time, much to the joy of the chorus members and
audience. Its two 1995 "Messiah" performances at Carnegie
Hall were a notable success, and by popular demand the work was
brought back for two successive performances on December 20th,
1997.
In 1993, members of the Chorus made a recording with Liza Minnelli
for the benefit of AIDS research. In 1996, a small group of Chorus
members appeared as Christmas carolers in The Preacher's Wife,
a major motion picture starring Whitney Houston and Denzel Washington. |